๐Ÿ„ Kyrie Gloria Credo Sanctus Benedictus Agnus Dei

Gloria Credo Sanctus Benedictus Agnus Dei CONTENTS-----1 4 8 16 18 22 FOREWORD Cantus Altus Tenor Kyrie &b b b & Learn the "Agnus Dei" in Latin With English Translation An Important Part of Catholic Mass and Many Chorale Compositions The liturgical prayer known as the Agnus Dei is written in Latin. The words "Agnus Dei" translate into English as "Lamb of God" and it is a chant addressed to Christ. It is commonly used during Mass in the Roman Catholic Church and has been adapted into choral pieces by a number of history's best-known composers. The History of Agnus Dei The Agnus Dei was introduced in the Mass by Pope Sergius (687โ€“701). This move may have been a defiant act against the Byzantine Empire (Constantinople), who ruled that Christ shall not be depicted as an animal, in this case, a lamb. The Agnus Dei, like the Credo, was one of the last things to be added to the Mass Ordinary. The fifth item in the Mass, Agnus Dei comes from John 1:29 and is often used during communion. Along with the Kyrie, Credo, Gloria, and Sanctus, this chant remains an integral part of the church service. The simplicity of Agnus Dei makes it an easy one to remember, even if you know little or no Latin. It begins with a repeating invocation and ends with a different request. During the Middle Ages, it was set to a great variety of melodies and included more acclamations than these two, which are most common. Latin English Agnus Dei, qui tolis peccata mundi, Lamb of God, who takes away the sins of the world, miserere nobis. have mercy on us. Agnus Dei, qui tolis peccata mundi, Lamb of God, who takes away the sins of the world, dona nobis pacem. grant us peace. Compositions With Agnus Dei The Agnus Dei has been incorporated into countless choral and orchestral pieces of music over the years. Many well-known composers, including Mozart, Beethoven, Schubert, Schumann, and Verdi have added it to their mass and requiem compositions. If you listen to classical music enough, you will surely encounter Agnus Dei quite often. Johann Sebastian Bach (1685โ€“1750) used it as the final movement in his monumental work, "Mass in B Minor" (1724). It is believed that this was among the last pieces he added and one of his final vocal compositions as well. One of the better known contemporary composers to use the Agnus Dei is Samuel Barber (1910โ€“1981). In 1967, the American composer arranged the Latin words to his most famous work, "Adagio for Strings" (1938). It was written for an eight-part chorus and retains that mournful, spiritual character of the orchestral work. As with Bach's composition, it is a very moving piece of music. Sources Randel (Editor), Don Michael. โ€œThe Harvard Dictionary of Music." Harvard University Press. Christoph. "Bach: Essays on His Life and Music." Harvard University Press. 1991. Number of voices: 4 vv Voicing: SATB, Agnus Dei II is a 5, SSATB Genre: Sacred, Mass. Language: Latin Instruments: A cappella . First published: Description: External websites: Original text and translations. For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie โ€ข Gloria โ€ข Credo โ€ข Sanctus
Music files L E G E N D Disclaimer How to download ICON SOURCE Pdf Pdf Midi MusicXML Video MuseScore3 Web Page File details Help Entire work (Posted 2017-08-15) CPDL #45902: Contributor: Paolo Pandolfo (submitted 2017-08-15). Score information: A4, 109 pages, MB Copyright: CPDL Edition notes: Scanned score. (Posted 2015-01-01) CPDL #34023: Editor: Jes Wagner (submitted 2015-01-01). Score information: A4 Copyright: CC BY NC ND Edition notes: Separate movements Kyrie Editor: Jes Wagner (submitted 2020-04-10). Score information: A4 Copyright: CC BY NC ND Edition notes: Editor: Claude Tallet (submitted 2008-09-04). Score information: A4, 7 pages, 149 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Gloria Editor: Jes Wagner (submitted 2020-04-10). Score information: A4 Copyright: CC BY NC SA Edition notes: {{Po stedDate|2008-09-08}} CPDL #18039: (YouTube) Editor: Claude Tallet (submitted 2008-09-08). Score information: A4, 41 pages, 974 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Credo Editor: Jes Wagner (submitted 2020-04-10). Score information: A4 Copyright: CC BY NC ND Edition notes: Editor: Claude Tallet (submitted 2008-09-15). Score information: A4, 29 pages, 653 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Sanctus-Benedictus Editor: Jes Wagner (submitted 2020-04-10). Score information: A4 Copyright: CC BY NC ND Edition notes: Editor: Claude Tallet (submitted 2008-09-15). Score information: A4, 4 pages, 116 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. Agnus Dei Editor: Jes Wagner (submitted 2020-04-10). Score information: A4 Copyright: CC BY NC ND Edition notes: Editor: Claude Tallet (submitted 2008-09-15). Score information: A4, 5 pages, 104 kB Copyright: CPDL Edition notes: Includes a keyboard version of the original accompaniment. General Information Title: Messa di Gloria Composer: Giacomo Puccini Number of voices: 4vv Voicing: SATB Genre: Sacred, Mass Languages: Greek, Latin Instruments: Orchestra First published: 1880 Description: External websites: Free choir training aids for this work are available at Choralia. Free public domain score Copyrighted score Original text and translations For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie โ€ข Gloria โ€ข Credo โ€ข Sanctus & Benedictus โ€ข Agnus Dei
Kyrie Gloria Credo Sanctus Benedictus Agnus Dei I Agnus Dei II (7 voices) First Pub lication. 1567 in Missarum, Liber 2 (No.3) Language Latin Dedication Philip II of Spain (1527โ€“1598) Composer Time Period Comp. Period: Renaissance: Piece Style Renaissance: Instrumentation 4-7 voices
Music files L E G E N D Disclaimer How to download ICON SOURCE Pdf Midi MusicXML Sibelius Zip file Web Page File details Help Complete Mass Editor: Andris Solims (submitted 2018-08-10). Score information: A4, 4 pages, 68 kB Copyright: CC BY NC Edition notes: Voice solo in C-dur. (Posted 2015-01-04) CPDL #34112: MuseScore Editor: Jes Wagner (submitted 2015-01-04). Score information: A4, 5 pages, MB Copyright: CPDL Edition notes: MuseScore format intended for choir rehearsal Editor: Christopher Moore (submitted 1999-09-01). Score information: A4, 10 pages, 676 kB Copyright: Personal Edition notes: revised March 8, 2002. The 4 midi files must be unzipped. This edition may be freely copied for non-commercial performance. It may not, however, be changed in any way without the editorโ€™s approval. Harmonized by Christopher Moore Individual movements Kyrie (Posted 2001-03-24) CPDL #02367: Finale file available Editor: Abel Di Marco (submitted 2001-03-24). Score information: Letter, 1 page, MB Copyright: Personal Edition notes: Harmonized by Abel Di Marco. Gloria (Posted 2001-03-24) CPDL #02368: Finale file available Editor: Abel Di Marco (submitted 2001-03-24). Score information: Letter, 3 pages, MB Copyright: Personal Edition notes: Harmonized by Abel Di Marco. Credo III (Posted 2001-03-24) CPDL #02371: Finale file available Editor: Abel Di Marco (submitted 2001-03-24). Score information: Letter, 4 pages, MB Copyright: Personal Edition notes: Harmonized by Abel Di Marco. Sanctus & Benedictus (Posted 2001-03-24) CPDL #02369: Finale file available Editor: Abel Di Marco (submitted 2001-03-24). Score information: Letter, 2 pages, MB Copyright: Personal Edition notes: Harmonized by Abel Di Marco. Agnus Dei (Posted 2001-03-24) CPDL #02370: Finale file available Editor: Abel Di Marco (submitted 2001-03-24). Score information: Letter, 1 page, MB Copyright: Personal Edition notes: Harmonized by Abel Di Marco. General Information Title: Missa de Angelis Composer: Anonymous (Gregorian chant) Number of voices: 1v Voicing: Unison Genre: Sacred, Mass, Chant Language: Latin Instruments: A cappella First published: Description: External websites: Original text and translations For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie โ€ข Gloria โ€ข Credo โ€ข Sanctus & Benedictus โ€ข Agnus Dei
โ€”34 pages; Kyrie, Gloria, Credo, Sanctus, Hosanna, Benedictus, Hosanna, Agnus Dei. + C ANTIONES S ACRAE S IMPLICES (SATB) โ€”Twelve simple SATB motets โ€ข 84-page book โ€ข includes optional Psalms in Latin & English โ€ข more than 150 free practice videos by Matthew J. Curtis โ€ข Foreword by Dr. William Mahrt โ€ข Hear a live recording of one Doล‚ฤ…cz do innych i ล›ledลบ ten utwรณr Scrobbluj, szukaj i odkryj na nowo muzykฤ™ z kontem Czy znasz wideo YouTube dla tego utworu? Dodaj wideo Czy znasz wideo YouTube dla tego utworu? Dodaj wideo Podobne utwory Wystฤ™puje takลผe w Podobne utwory Zewnฤ™trzne linki Apple Music O tym wykonwacy Giovanni Pierluigi da Palestrina 79 037 sล‚uchaczy Powiฤ…zane tagi Giovanni Pierluigi da Palestrina (ur. prawdopodobnie 27 grudnia 1525 w Palestrinie, zm. 2 lutego 1594 w Rzymie) โ€“ wybitny kompozytor wล‚oski epoki Renesansu. Data jego urodzin do dziล› pozostaje niepewna, wiadomo, ลผe urodziล‚ siฤ™ miฤ™dzy 3 lutego 1525 roku, a 2 lutego 1526 roku w mieล›cie Praeneste (pรณลบniej Palestrina) koล‚o Rzymu. W dzieciล„stwie uczyล‚ siฤ™ ล›piewu i kontrapunktu w bazylice Santa Maria Maggiore. W roku 1544 zostaล‚ kapelmistrzem katedry S. Agapita w swoim rodzinnym mieล›cie, tam teลผ zawarล‚ ล›lub z Lucreziฤ… Gori. Gdy w 1550 r. papieลผem zostaล‚ Juliusz III, Palestrina otโ€ฆ dowiedz siฤ™ wiฤ™cej Giovanni Pierluigi da Palestrina (ur. prawdopodobnie 27 grudnia 1525 w Palestrinie, zm. 2 lutego 1594 w Rzymie) โ€“ wybitny kompozytor wล‚oski epoki Renesansu. Data jego urodzin do dzโ€ฆ dowiedz siฤ™ wiฤ™cej Giovanni Pierluigi da Palestrina (ur. prawdopodobnie 27 grudnia 1525 w Palestrinie, zm. 2 lutego 1594 w Rzymie) โ€“ wybitny kompozytor wล‚oski epoki Renesansu. Data jego urodzin do dziล› pozostaje niepewna, wiadomo, ลผe urodziล‚ siฤ™โ€ฆ dowiedz siฤ™ wiฤ™cej Wyล›wietl peล‚ny profil wykonawcy Podobni wykonawcy Wyล›wietl wszystkich podobnych wykonawcรณw
The SCHOPFUNGSMESSE(sorry German speakers,I couldn't find an umlaut on my keyboard!)doesn't perhaps sustain the terrific brass and timpani driven impetus of the Kyrie and Gloria,but for all that it's still astonishing that Haydn's well of inspiration proves as inexhaustible as ever in this his penultimate mass.
Agnus Dei II (soprano II) The International Museum and Libary of Bologna graciously provided digital scans of the orginal partbooks on request from the editor. Original key. Credo omitted, note values halved. Tempo indications, rests at phrase endings and some musica ficta are editorial. For SATTB, with the final Agnus Dei augmented to SSATTBB. General Information Benedictus (choral excerpt only) Music History Test 2. Cyclic Mass 1450-1600. Click the card to flip ๐Ÿ‘†. In Renaissance music, this was a setting of the Mass Ordinary (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) that shared a common musical theme in each movement (usually a cantus firmus), thus making it a unified whole. Sections often began with the same head motive.

Music files L E G E N D Disclaimer How to download ICON SOURCE Pdf Midi MusicXML Encore Finale File details Help Editor: Gary Harney (submitted 2019-01-16). Score information: Letter, 35 pages, 607 kB Copyright: CPDL Edition notes: whole tone lower, halved note values. Editor: Gereon Behrendt (submitted 2016-04-12). Score information: A4, 19 pages, 511 kB Copyright: CPDL Edition notes: complete mass, original pitch and note values Editor: Simon Biazeck (submitted 2011-12-31). Score information: A4, 39 pages, 340 kB Copyright: CPDL Edition notes: Complete Mass. Lowered a whole tone from the original pitch. Original note values retained. (Posted 2006-07-31) CPDL #12160: Editor: Alessandro Magagnin (submitted 2006-07-31). Score information: A4, 40 pages, 634 kB Copyright: CPDL Edition notes: Complete mass, with extensive preface in Italian. (Posted 2003-08-20) CPDL #05520: PDF, MIDI and MusiXTex files available. Editor: Jรผrgen Fleck (submitted 2003-08-20). Score information: Letter, 2 pages, 50 kB Copyright: Personal Edition notes: Benedictus only. Scroll down to Benedictus. Editor: Leslie Hay MacKnight (submitted 2003-05-15). Score information: Letter, 8 pages, 96 kB Copyright: CPDL Edition notes: Credo only. Editors: Paco Marmol and Manolo Casaus (submitted 1999-10-11). Score information: A4, 22 pages, 362 kB Copyright: CPDL Edition notes: All movements except Credo. General Information Title: Missa brevis. Composer: Giovanni Pierluigi da Palestrina Number of voices: 4-5vv Voicings: SATB or SSATB, Agnus Dei II only Genre: Sacred, Mass Language: Latin Instruments: A cappella First published: 1570 in Missarum liber tertius, no. 3 2nd published: 1853 in Musica Divina Vol. I (Carl Proske), no. 1 Also published in Haberl Werke XII, 1881, p. 50. See IMSLP. Description: The only free work so titled, this mass is numbered 15 by Reese. Novello's edition adds "in F". External websites: Free choir training aids for this work are available at Choralia. Missa Brevis sung by Tallis Scholars on YouTube (playlist needs to be stopped after Agnus Dei) Original text and translations For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie โ€ข Gloria โ€ข Credo โ€ข Sanctus & Benedictus โ€ข Agnus Dei

b) Secondly, the congregation can sing the parts of the Ordinary of the Mass: Kyrie, eleison; Gloria in excelsis Deo; Credo; Sanctus-Benedictus; Agnus Dei. Every effort must be made that the faithful learn to sing these parts, particularly according to the simpler Gregorian melodies.
Music files L E G E N D Disclaimer How to download ICON SOURCE Pdf Midi MusicXML Encore Noteworthy Web Page File details Help Full score (Posted 2019-06-25) CPDL #54620: Contributor: Paolo Pandolfo (submitted 2019-06-25). Score information: A4, 48 pages, MB Copyright: CPDL Edition notes: Scanned score Piano-vocal scores (Posted 2019-06-21) CPDL #54592: Contributor: Paolo Pandolfo (submitted 2019-06-21). Score information: A4, 52 pages, MB Copyright: CPDL Edition notes: Scan from IMSLP of piano-vocal score by Otto Taubmann (Posted 1999-09-21) CPDL #00293: Kyrie: Score information: A4, 5 pages, 149 kB Gloria: Score information: A4, 16 pages, 316 kB Credo: Score information: A4, 22 pages, 563 kB Sanctus: Score information: A4, 4 pages, 84 kB Benedictus: Score information: A4, 7 pages, 189 kB Agnus: Score information: A4, 9 pages, 226 kB Editor: Christopher Moore (submitted 1999-09-21). Copyright: Personal (Posted 1999-09-15) CPDL #00287: Kyrie: Score information: A4, 4 pages, 257 kB Gloria: Score information: A4, 13 pages, 741 kB Credo: Score information: A4, 13 pages, 757 kB Sanctus: Score information: A4, 3 pages, 129 kB Benedictus: Score information: A4, 5 pages, 324 kB Agnus: Score information: A4, 8 pages, 503 kB Editors: Paco Marmol and Manolo Casaus (submitted 1999-09-15). Copyright: Personal Gloria only Editor: Jeroen Potjes (submitted 2007-09-01). Score information: Letter, 13 pages, 879 kB Copyright: Personal Edition notes: full orchestra General Information Title: Coronation Mass, KV 317 (Krรถnungsmesse) Composer: Wolfgang Amadeus Mozart Number of voices: 4vv Voicing: SATB Genre: Sacred, Mass Language: Latin Instruments: Orchestra: 0202-2230-timp-str. 11011 First published: Description: External websites: Free choir training aids for this work are available at Choralia. Coronation Mass, KV 317 (Wolfgang Amadeus Mozart) at the Petrucci Music Library (IMSLP) Original text and translations For information, refer to the Mass page. For texts and translations, see the individual pages: Kyrie โ€ข Gloria โ€ข Credo โ€ข Sanctus & Benedictus โ€ข Agnus Dei

Mass No. 2 in G major, D 167, by Franz Schubert was composed in less than a week in early March 1815 and remains the best known of his three short settings, or missae breves, dating between his more elaborate No. 1 and No. 5. Apart from some passages for soprano, its solistic interventions are modest; Schubert, characteristically, inclines

Soprano Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Alto Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Tenor Kyrie Gloria Credo Sanctus Benedictus Agnus Dei Bass Kyrie Gloria Credo Sanctus Benedictus Agnus Dei
Edition notes: Kyrie only. General Information. Title: Missa Jam Christus astra ascenderat Composer: Giovanni Pierluigi da Palestrina. Number of voices: 4vv Voicing: SATB Genre: Sacred, Mass. Language: Latin Instruments: A cappella . First published: 1590 in Missarum liber quintus, no. 2 Description: External websites: Original text and
Het merendeel van de klassieke koorcomposities, zeker van die van voor 1800, heeft een religieuze tekst: bijbelteksten en teksten die sinds jaar en dag in de rooms-katholieke kerk worden gebruikt voor de eredienst. Honderden componisten schreven muziek bij het Te Deum en het Requiem (de dodenmis), maar het meest in trek was altijd de tekst van de gewone standaard Latijnse mis. Die bestaat uit vijf delen: โ€“ Kyrie โ€“ Gloria โ€“ Credo โ€“ Sanctus โ€“ Agnus Dei Het Kyrie telt maar zes woorden: Kyrie eleison, Christe eleison, Kyrie eleison, oftewel: Heer ontferm u, Christus ontferm u, Heer ontferm u. Meestal komt in de composities met deze zuinige tekst veel tekstherhaling voor, om te voorkomen dat het al te snel afgelopen is. De woorden โ€˜Kyrieโ€™ en โ€˜eleisonโ€™ zijn overigens geen latijn, ze komen uit het Grieks. In het Gloria wordt God toegezongen en geprezen en bij bijna alle componisten is het een vrolijk/triomfantelijk/feestelijk stuk. Het Credo behelst de geloofsbelijdenis. De tekst is erg lang (160 woorden) en bij sommige componisten is duidelijk te merken dat ze bij bepaalde tekstgedeeltes korte metten wouden maken/de boel afraffelden. Overigens bevat het prachtige frases, zoals Deum de Deo, Lumen de Lumine, Deum verum de Deo vero (God uit God, Licht uit Licht, ware God uit de ware God) en Et expecto resurrectionem mortuorum, et vitam venturi saeculi (en ik verwacht de opstanding uit de dood, en daarna het eeuwig leven). In het Sanctus wordt opnieuw Gods groots- en heiligheid bezongen. Het eindigt met Benedictus, qui venit in nomine Domini. Hosanna in excelsis, oftewel: gezegend Hij die komt in de naam van de Heer, Hosanna in den hoge. Agnus Dei staat voor โ€˜het lam Godsโ€™. Dat lam is Christus, die zich als een lam naar de slachtbank liet voeren. Hem wordt in dit misgedeelte gevraagd om ontferming en vrede. Kortom: een smeekbede, een lofzang, een belijdenis, een lofzang en een smeekbede: prachtige symmetrie. foto: ยฉ Kees Siebesma, birdwatcher te Zwolle

Kyrie Gloria Credo Sanctus & Benedictus Agnus Dei General Information. Title: Missa Repleatur os meum laude tua Composer: Giovanni Pierluigi da Palestrina. Number of voices: 5vv Voicing: SAATB Genre: Sacred, Mass. Language: Latin Instruments: A cappella . First published: 1570 in Missarum liber tertius, no. 6

๋ผํ‹ด์–ด ์ „๋ก€๋ฏธ์‚ฌ๊ณก "๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค"์˜ ์ด ๊ธฐ๋„๋ฌธ์€ ์ด์‚ฌ์•ผ์„œ 6์žฅ 2-3์ ˆ์˜ ํ™˜์˜์—์„œ ์˜๊ฐ์„ ๋ฐ›์•„ ์“ฐ์—ฌ์ง„ ๊ฒƒ์œผ๋กœ ์ดˆ๋Œ€ ๊ตํšŒ๋Š” ํšŒ๋‹น(Synagogue) ์˜ˆ์‹์˜ ์•„์นจ ๊ธฐ๋„ ๋•Œ์— ์ด ๊ธฐ๋„๋ฌธ์„ ๋…ธ๋ž˜๋กœ ๋ถˆ๋ €๋‹ค. ์•„๋งˆ ์ด ๊ธฐ๋„๋Š” ์œ ๋Œ€-๊ทธ๋ฆฌ์Šค๋„๊ต ์‹ ์ž์˜ ์˜ํ–ฅ์„ ๋ฐ›์•„ ๋™๋ฐฉ๊ตํšŒ์˜ ์„ฑ์ฐฌ ๊ธฐ๋„์— ์‚ฌ์šฉํ•˜๊ฒŒ ๋œ ๊ฒƒ์œผ๋กœ ์ถ”์ •๋˜๋ฉฐ, 5์„ธ๊ธฐ ์ค‘์—ฝ์—๋Š” ์„œ๋ฐฉ๊ตํšŒ์—์„œ๋„ ์ด ๊ธฐ๋„๋ฌธ์„ ์ผ๋ฐ˜์ ์œผ๋กœ ๋ฐ›์•„๋“ค์—ฌ ๋…ธ๋ž˜๋กœ ๋ถˆ๋ €๋‹ค. ๊ทธ๋ฆฌ๊ณ  "์ฃผ๋‹˜์˜ ์ด๋ฆ„์œผ๋กœ ์˜ค์‹œ๋Š” ๋ถ„, ์ฐฌ๋ฏธ๋ฐ›์œผ์†Œ์„œ"๋ผ๋Š” ํ‘œํ˜„์€ ์˜ˆ์ˆ˜๊ป˜์„œ ์˜ˆ๋ฃจ์‚ด๋ ˜์— ์ž…์„ฑํ•˜์‹ค ๋•Œ ๋ฐฑ์„ฑ๋“ค์ด ๋ถ€๋ฅด๋˜ ํ™˜ํ˜ธ์†ก์—์„œ ๊ทธ ์ „๋ก€๋ฌธ์„ ์ทจํ•œ ๊ฒƒ์ด๋‹ค(๋งˆํƒœ 21:9 ์ฐธ์กฐ). 6์„ธ๊ธฐ ์ค‘์—ฝ๋ถ€ํ„ฐ Gaul ์ง€๋ฐฉ์—์„œ๋Š” ์ด ๋ฌธ์žฅ์ด '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'์— ์ด๋ฏธ ํ•ฉ์ณ์กŒ๊ณ  ๊ทธ๋กœ๋ถ€ํ„ฐ ์ผ์„ธ๊ธฐ ํ›„์—๋Š” ๋กœ๋งˆ์—์„œ๋„ ํ•˜๋‚˜์˜ ๊ธฐ๋„๋กœ ์ด๋ฃจ์–ด์ ธ ์‚ฌ์šฉ๋˜์—ˆ๋‹ค. ์›๋ž˜๋Š” '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'๊ฐ€ ์ „์ฒด ์‹ ์ž๋“ค์— ์˜ํ•ด ๋ถˆ๋ ค์กŒ์ง€๋งŒ, ์ค‘์„ธ๊ธฐ ์ดˆ์— ์ด ๊ธฐ๋„์˜ ๋…ธ๋ž˜๋Š” ์„ฑ๊ฐ€๋Œ€์— ์ผ์ž„๋˜์—ˆ๋‹ค. ๊ทธ ์ด์œ ๋Š” ๋‹ค๋ฅธ ์„ฑ๊ฐ€๋“ค๊ณผ ๋งˆ์ฐฌ๊ฐ€์ง€๋กœ ํ‰๋ฏผ๋“ค์€ ๋ผํ‹ด์–ด๋ฅผ ์ œ๋Œ€๋กœ ํ•˜์ง€ ๋ชปํ•˜์˜€์œผ๋ฉฐ, ์˜ˆ์ˆ ์ ์ธ ์ž‘ํ’ˆ์„ ์ „๋ก€์— ๋„์ž…ํ•˜๋ ค๋Š” ๊ตํšŒ์™€ ์ž‘๊ณก๊ฐ€๋“ค์˜ ๋…ธ๋ ฅ์œผ๋กœ ์‹ ์ž๋“ค์ด ๋…ธ๋ž˜๋ถ€๋ฅด๊ธฐ์—๋Š” ๋„ˆ๋ฌด ํž˜๋“ค์—ˆ๊ธฐ์— ์ž…์„ ๋‹ค๋ฌผ๊ฒŒ ๋˜๊ณ  ์ž˜ ํ›ˆ๋ จ๋ฐ›์€ ์„ฑ๊ฐ€๋Œ€๊ฐ€ ์ด๋ฅผ ๋…ธ๋ž˜ํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ๊ทธ๋ž˜์„œ ์‹ค์งˆ์ ์œผ๋กœ ์ „๋ก€ ์ค‘์— ์„ฑ๊ฐ€๋Œ€๊ฐ€ ๊ณ„์†ํ•ด์„œ ์ด ๊ธฐ๋„๋ฅผ ๋…ธ๋ž˜ํ•˜๋Š” ๋™์•ˆ, ์‚ฌ์ œ๋Š” ํ˜ผ์ž์„œ ์„ฑ์ฐฌ๊ธฐ๋„๋ฅผ ๊ณ„์†ํ–ˆ์—ˆ๋‹ค. ์ง€๊ธˆ๊ณผ ๊ฐ™์ด ์‚ฌ์ œ์™€ ์‹ ์ž๋“ค์ด ํ•จ๊ป˜ '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'๋ฅผ ๋…ธ๋ž˜ํ•˜๋Š” ๊ฒƒ์ด ์•„๋‹ˆ๊ณ , ์‚ฌ์ œ์™€ ์„ฑ๊ฐ€๋Œ€๋Š” ๊ฐ์ž ๋‹ค๋ฅธ ๊ธฐ๋„๋ฅผ ๊ณ„์†ํ•œ ๊ฒƒ์ด๋‹ค. ์„ฑ๋ณ€ํ™”๊ฐ€ ์ด๋ฃจ์–ด์ง„ ํ›„์— ๋ถ€๋ฅด๋Š” "์ฃผ๋‹˜์˜ ์ด๋ฆ„์œผ๋กœ ์˜ค์‹œ๋Š” ๋ถ„"(Benedictus)์ด ๋…ธ๋ž˜๋˜๊ธฐ ์‹œ์ž‘ํ•˜๋ฉด์„œ ๋”์šฑ ๋ณต์žกํ•œ ๋ฉœ๋กœ๋””๋ฅผ ๊ฐ€์ง„ ๊ฒƒ์œผ๋กœ ๋ฐœ์ „ํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ์œ„์—์„œ ์‚ดํŽด๋ณธ ๋ฐ”์™€ ๊ฐ™์ด 6-7์„ธ๊ธฐ์—๋Š” ํ•˜๋‚˜์˜ ๊ธฐ๋„๋ฌธ์œผ๋กœ ํ†ตํ•ฉ๋˜์–ด ์žˆ๋˜ ๊ฒƒ์ด ์ค‘์„ธ๊ธฐ๋ถ€ํ„ฐ ๋‘ ๊ฐœ์˜ ๊ธฐ๋„๋กœ ๋‚˜๋ˆ„์–ด์ ธ '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'๋Š” ์„ฑ๋ณ€ํ™” ์ „์— ๊ทธ๋ฆฌ๊ณ  '์ฃผ๋‹˜์˜ ์ด๋ฆ„์œผ๋กœ ์˜ค์‹œ๋Š” ๋ถ„, ์ฐฌ๋ฏธ๋ฐ›์œผ์†Œ์„œ'๋Š” ์„ฑ๋ณ€ํ™” ํ›„์— ๋…ธ๋ž˜ํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ์ด๋Ÿฐ ์ฆ๊ฑฐ๋Š” ์˜ค๋Š˜ ์šฐ๋ฆฌ๊ฐ€ ํฐ ์ถ•์ผ์— ์ฃผ๋กœ ์‚ฌ์šฉํ•˜๋Š” ๋ผํ‹ด๋ง ๋ฏธ์‚ฌ๊ณก์—์„œ ์ž˜ ์‚ดํŽด๋ณผ ์ˆ˜ ์žˆ๋‹ค. ์ด์ œ ์ œ2์ฐจ ๋ฐ”ํ‹ฐ์นธ๊ณต์˜ํšŒ ์ดํ›„ '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'์™€ '์ฃผ๋‹˜์˜ ์ด๋ฆ„์œผ๋กœ ์˜ค์‹œ๋Š” ๋ถ„'์€ ๋‹ค์‹œ ํ•œ๋ฒˆ ์›๋ž˜์˜ ๋ชจ์Šต์„ ์ฐพ์•„ ํ•˜๋‚˜์˜ ํ™˜ํ˜ธ์†ก์œผ๋กœ ๊ฒฐํ•ฉ๋˜์—ˆ์œผ๋ฉฐ, ๊ฐ์‚ฌ ์„œ๋ฌธ๊ฒฝ์˜ ๊ฒฐ๋ก ์œผ๋กœ์„œ ์ฒœ์‚ฌ์™€ ์ผ์น˜ํ•˜์—ฌ ์‚ฌ์ œ์™€ ์‹ ์ž๋“ค์— ์˜ํ•ด ๋…ธ๋ž˜ ๋ถˆ๋ฆฌ์–ด์ง€๊ฑฐ๋‚˜ ๋‚ญ๋…๋œ๋‹ค. ์šฐ๋ฆฌ ๋ชจ๋‘๋Š” ์ฒœ์‚ฌ์™€ ์ผ์น˜ํ•˜์—ฌ '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'๋ฅผ ๋…ธ๋ž˜ํ•˜๊ฑฐ๋‚˜ ์™ธ์šด๋‹ค. (๋กœ๋งˆ ๋ฏธ์‚ฌ๊ฒฝ๋ณธ์˜ ์ด์ง€์นจ 55ํ•ญ) ํšŒ์ค‘๋“ค์€ ์ด ํ™˜ํ˜ธ์†ก์„ ํ†ตํ•˜์—ฌ ๊ทธ๋ฆฌ์Šค๋„๋ฅผ ํ†ตํ•˜์—ฌ ๋ชจ๋“  ํ”ผ์กฐ๋ฌผ๋“ค์ด ์ฒœ์ฃผ ์„ฑ๋ถ€๊ป˜ ์ฐฌ๋ฏธ๋ฅผ ๋“œ๋ฆฌ๋Š”๋ฐ ์ผ์น˜ํ•˜๋ผ๋Š” ์ดˆ๋Œ€์— ์‘๋‹ตํ•˜๊ฒŒ ๋œ๋‹ค. ํ•˜๋‚˜์˜ ๋ชฉ์†Œ๋ฆฌ๋กœ ์„ฑ์ธ๋“ค๊ณผ์˜ ๋ชจ๋“  ํ†ต๊ต ์•ˆ์—์„œ ํ•˜๋Š๋‹˜๊ป˜ ์˜๊ด‘์„ ๋“œ๋ฆฐ๋‹ค. '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'๋Š” ๊ทธ ์ž์ฒด๋กœ ์„ฑ์ฐฌ ๊ณต๋™์ฒด์˜ ํƒ์›”ํ•œ ์ผ์น˜์˜ ๋…ธ๋ž˜์ด๊ธฐ์— 1967๋…„ 3์›” 5์ผ์— ๋ฐœํ‘œ๋œ ๊ตํ™ฉ์ฒญ์˜ ์„ฑ์Œ์•… ํ›ˆ๋ น 34ํ•ญ์€ ์ด ๊ธฐ๋„๋ฅผ ๋ชจ๋“  ์ „์ฒด ์‹ ์ž๋“ค์— ์˜ํ•ด ๋…ธ๋ž˜๋กœ ๋ถˆ๋ ค์ ธ์•ผ ํ•œ๋‹ค๊ณ  ๊ฐ€๋ฅด์น˜๊ณ  ์žˆ๊ณ  ์•„์šธ๋Ÿฌ ์ด๋ ‡๊ฒŒ ์ „ ์‹ ์ž๊ฐ€ ๋…ธ๋ž˜ํ•˜๋Š” ๊ฒƒ์ด ๋ฐ”๋กœ ์ „ํ†ต์„ ๋”ฐ๋ฅด๋Š” ๊ธธ์ด๋ผ๊ณ  ๋งํ•˜๊ณ  ์žˆ๋‹ค. "๊ฐ์‚ฌ์†ก์˜ ๋งˆ์ง€๋ง‰ ํ™˜ํ˜ธ์ธ ๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค๋Š” ์›์น™์ ์œผ๋กœ ๋ชจ๋“  ์‚ฌ์ œ์™€ ์‹ ์ž๊ฐ€ ๋…ธ๋ž˜ํ•œ๋‹ค." ๋”ฐ๋ผ์„œ ์ด ๋…ธ๋ž˜๋Š” ๋ฐฑ์„ฑ๋“ค ์ „์ฒด๋ฅผ ์œ„ํ•œ ๊ฒƒ์ด๊ธฐ์— ๋น„๋ก ์„ฑ๊ฐ€๋Œ€๊ฐ€ '๋ฏธ์‚ฌ ํ†ต์ƒ๋ฌธ' ์ „์ฒด๋ฅผ ๋…ธ๋ž˜ํ•œ๋‹ค๊ณ  ํ•˜๋”๋ผ๋„ ์ด ๋…ธ๋ž˜๋งŒํผ์€ ์‹ ์ž๋“ค๋„ ํ•จ๊ป˜ ๋…ธ๋ž˜ํ•  ์ˆ˜ ์žˆ๋Š” ์นœ์ˆ™ํ•œ ๊ฒƒ์œผ๋กœ ๊ณก์„ ์„ ์ •ํ•จ์ด ๋งˆ๋•…ํ•˜๋‹ค. ๋ฏธ์‚ฌ ์ค‘์— ๋ถ€๋ฅด๋Š” ๋…ธ๋ž˜์˜ ๊ฐ€์น˜๋ฅผ ์„ฑ์ฐฌ๊ธฐ๋„์™€์˜ ์—ฐ๊ด€์„ฑ ๊ทธ๋ฆฌ๊ณ  ๊ทธ ๊ทผ์ ‘์„ฑ์œผ๋กœ ์ •์˜๋ฅผ ๋‚ด๋ฆฐ๋‹ค๊ณ  ํ•œ๋‹ค๋ฉด ์„ฑ์ฐฌ๊ธฐ๋„์˜ ์‹ฌ์žฅ์— ์œ„์น˜ํ•˜๊ณ  ์žˆ๋Š” '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'์•ผ๋ง๋กœ ๋ฏธ์‚ฌ ์ค‘์˜ ๊ฐ€์žฅ ์ค‘์š”ํ•œ ํ™˜ํ˜ธ์†ก์ด๋‹ค. ๋งŒ์•ฝ ํšŒ์ค‘์ด ๋ฏธ์‚ฌ ์ค‘์— ์„ฑ๊ฐ€๋ฅผ ํ•œ ๊ณก๋งŒ ๋ถ€๋ฅธ๋‹ค๋ฉด ๊ทธ๊ฒƒ์€ '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'์ด๋‹ค. ๋˜ํ•œ ๋งค์ผ๋ฏธ์‚ฌ์—์„œ ์กฐ์ฐจ๋„ ๋ฐ˜๋“œ์‹œ ๋…ธ๋ž˜๋กœ ๋ถˆ๋ฆฌ์–ด์ ธ์•ผ ํ•  ๊ฒƒ์€ ๋ฐ”๋กœ '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'๋ผ๊ณ  ํ•œ๋‹ค. ์šฐ๋ฆฌ ํ•œ๊ตญ๊ตํšŒ์—์„œ๋„ ํ‰์ผ๋ฏธ์‚ฌ ๋•Œ ๊ผญ ๋ถ€๋ฅด๋Š” ์ž…๋‹น, ๋ด‰ํ—Œ, ์˜์„ฑ์ฒด, ํ‡ด์žฅ ๋…ธ๋ž˜ ๋Œ€์‹  '๊ฑฐ๋ฃฉํ•˜์‹œ๋„๋‹ค'๋ฅผ ๋น„๋กฏํ•œ ํ™˜ํ˜ธ์†ก์„ ๋…ธ๋ž˜๋ถ€๋ฅด๋Š” ๊ฒƒ์ด ์ •์ฐฉ๋˜์–ด์•ผ๊ฒ ๋‹ค. ๋ฏธ์‚ฌ ์ „๋ก€๋ฌธ ์ž์ฒด๊ฐ€ ๋…ธ๋ž˜๋ฅผ ์š”๊ตฌํ•˜๋Š” ํ™˜ํ˜ธ์†ก์„ ๋…ธ๋ž˜ํ•˜์ง€ ์•Š๊ณ , ๋ถ€์ˆ˜์ ์ธ ๊ฒƒ์„ ๋…ธ๋ž˜ํ•˜๋Š” ๊ฒƒ์€ ์˜ฌ๋ฐ”๋ฅธ ๋ฏธ์‚ฌ ๊ฑฐํ–‰์„ ์œ„ํ•ด์„œ๋„ ๊ฐœ์„ ๋˜์–ด์•ผ ํ•œ๋‹ค. ์ด๋Ÿฐ ์˜ฌ๋ฐ”๋ฅธ ์ „๋ก€์™€ ์ „๋ก€์Œ์•…์˜ ์‹ค์ฒœ์€ ๋ฌด์—‡๋ณด๋‹ค๋„ ์•ž์œผ๋กœ ์‚ฌ๋ชฉ ํ˜„์žฅ์—์„œ ์ผํ•˜๊ฒŒ ๋  ์‚ฌ์ œ์™€ ์ˆ˜๋„์ž๋ฅผ ์–‘์„ฑํ•˜๋Š” ์‹ ํ•™๊ต์™€ ์ˆ˜๋ จ์†Œ์—์„œ ์šฐ์„ ์ ์œผ๋กœ ๊ทธ๋ฆฌ๊ณ  ํ•„์ˆ˜์ ์œผ๋กœ ์‹œํ–‰๋˜์–ด์•ผ ํ•  ๊ฒƒ์ด๋‹ค. ์‹ ํ•™๊ต์™€ ์ˆ˜๋„ํšŒ์—์„œ๋Š” ์ด๋Ÿฐ ์ ์—์„œ ๋งค์ผ ๊ฑฐํ–‰๋˜๊ณ  ์žˆ๋Š” ์ „๋ก€๋ฅผ ๋‹ค์‹œ ํ•œ ๋ฒˆ ์ ๊ฒ€ํ•ด ๋ณผ ํ•„์š”๊ฐ€ ์žˆ๋‹ค๊ณ  ์ƒ๊ฐํ•œ๋‹ค. 1. Kyrie(์ž๋น„๋ฅผ ๊ตฌํ•˜๋Š” ๊ธฐ๋„) Kyrie eleison. (๊ธฐ๋ฆฌ์— ์—˜๋ ˆ์ด์†)์ฃผ๋‹˜ ์ €ํฌ๋ฅผ ๋ถˆ์Œํžˆ ์—ฌ๊ธฐ์†Œ์„œ. Christe eleison. (ํฌ๋ฆฌ์Šคํ…Œ ์—˜๋ ˆ์ด์†) ๊ทธ๋ฆฌ์Šค๋„๋‹˜ ์ €ํฌ๋ฅผ ๋ถˆ์Œํžˆ ์—ฌ๊ธฐ์†Œ์„œ. Kyrie eleison. (๊ธฐ๋ฆฌ์— ์—˜๋ ˆ์ด์†)์ฃผ๋‹˜ ์ €ํฌ๋ฅผ ๋ถˆ์Œํžˆ ์—ฌ๊ธฐ์†Œ์„œ. ๊ฑฐ๋ฃฉํ•œ ์˜ˆ์‹(๋ฏธ์‚ฌ)์„ ํ•ฉ๋‹นํ•˜๊ฒŒ ๋ด‰ํ—Œํ•˜๊ธฐ ์œ„ํ•ด ์ž์‹ ์˜ ์ฃ„๋ฅผ ํ†ตํšŒํ•˜๊ณ  ํ•˜๋Š๋‹˜๊ป˜ ์ž๋น„๋ฅผ ๊ตฌํ•˜๋Š” ๊ธฐ๋„์ด๊ธฐ์— ์ด Kyrie๋Š” ๋Š˜ ์ฐจ๋ถ„ํ•œ ๊ณก์ž…๋‹ˆ๋‹ค. ์ด์–ด์„œ ๋‚˜์˜ค๋Š” Gloria(๋Œ€์˜๊ด‘์†ก)๋Š” ์žฅ์—„ํ•œ ๊ณก์ด๋ฉฐ Kyrie์™€๋Š” ๋ถ„์œ„๊ธฐ๋‚˜ ๊ฐ์ •์ด ์ „ํ˜€ ๋‹ค๋ฆ…๋‹ˆ๋‹ค. 2. Gloria (๋Œ€์˜๊ด‘์†ก) Gloria in excelsis Deo. (๊ธ€๋กœ๋ฆฌ์•„ ์ธ ์—‘์ฒผ์‹œ์Šค ๋ฐ์˜ค)์˜๊ด‘ ํ•˜๋Š˜์—์„œ๋Š” ํ•˜๋Š๋‹˜ (*ํ•˜๋Š˜ ๋†’์€ ๊ณณ์—๋Š” ํ•˜๋Š๋‹˜๊ป˜ ์˜๊ด‘) Et in terra pax hominibus bonae voluntatis. (์—— ์ธ ๋–ผ๋ผ ๋นก์Šค ํ˜ธ๋ฏธ๋‹ˆ๋ถ€์Šค ๋ณด๋‚ด ๋ณผ๋ฃฌ๋”ฐ๋ -์Šค) ๊ทธ๋ฆฌ๊ณ  ๋•…์—์„œ๋Š” ํ‰ํ™” ์‚ฌ๋žŒ์—๊ฒŒ ์„ ํ•œ ๋œป(์˜์ง€) (*๋•…์—์„œ๋Š” ๋งˆ์Œ์ด ์ฐฉํ•œ ์ด์—๊ฒŒ ํ‰ํ™”.) Laudamus te, Benedicimus te, (๋ผ์šฐ๋‹ค๋ฌด์Šค ๋–ผ ๋ฒ ๋„ค๋””์น˜๋ฌด์Šค ๋–ผ) ์šฐ๋ฆฌ๋Š” ์ฐฌ๋ฏธํ•ฉ๋‹ˆ๋‹ค ๋„ˆ๋ฅผ ์ฐฌ๋ฏธํ•ฉ๋‹ˆ๋‹ค (*์ฃผ๋‹˜์„ ๊ธฐ๋ฆฌ๋‚˜์ด๋‹ค ์ฐฌ๋ฏธํ•˜๋‚˜์ด๋‹ค.) Adoramus te. Glorificamus te. (์•„๋„๋ผ๋ฌด์Šค ๋–ผ. ๊ธ€๋กœ๋ฆฌํ“Œ๊นŒ๋ฌด์Šค ๋–ผ) ํ ์ˆญํ•ฉ๋‹ˆ๋‹ค. ์นญ์†กํ•ฉ๋‹ˆ๋‹ค. (*์ฃผ๋‹˜์„ ํ ์ˆญํ•˜๋‚˜์ด๋‹ค. ์ฐฌ์–‘ํ•˜๋‚˜์ด๋‹ค.) Gratias agimus tibi (๊ทธ๋ผ์”จ์•„ ์‹ธ์ง€๋ฌด์Šค ๋ ๋น„ ) ๊ฐ์‚ฌ ํ•˜๋‚˜์ด๋‹ค ๋„ˆ์—๊ฒŒ (*๊ฐ์‚ฌํ•˜๋‚˜์ด๋‹ค.) propter magnam glroriam tuam. (์˜๋กญ๋–ผ๋ฅด ๋งˆ๋ƒ  ๊ธ€๋กœ๋ฆฌ์•” ๋šœ์•”) ๋•Œ๋ฌธ์— ํฐ ์˜๊ด‘ ๋„ˆ์˜ (*์ฃผ๋‹˜ ์˜๊ด‘ ํฌ์‹œ์˜ค๋‹ˆ) Domine Deus, Rex coelestis, (๋„๋ฏธ๋„ค ๋ฐ์šฐ์Šค ๋ ‰์Šค ์ฒผ๋ ˆ์Šค๋ ์Šค) ์ฃผ๋‹˜์ด์‹œ์—ฌ ํ•˜๋Š๋‹˜ ์™• ํ•˜๋Š˜์— ์žˆ๋Š” (*์ฃผ ํ•˜๋Š๋‹˜ ํ•˜๋Š˜์˜ ์ž„๊ธˆ์ด์—ฌ) Deus Pater omnipotens. (๋ฐ์šฐ์Šค ๋น ํ…Œ๋ฅด ์˜ด๋‹ˆ๋ฝ€๋—€์Šค) ํ•˜๋Š๋‹˜ ์•„๋ฒ„์ง€ ์ „๋Šฅํ•œ (*์ „๋Šฅํ•˜์‹  ํ•˜๋Š๋‹˜) Domine Fili unigenite, Jesu Christe. (๋„๋ฏธ๋„ค ํœ ๋ฆฌ ์šฐ๋‹ˆ์ œ๋‹ˆ๋–ผ ์˜ˆ์ˆ˜ ํฌ๋ฆฌ์Šค๋–ผ) ์ฃผ๋‹˜์ด์‹œ์—ฌ ์•„๋“ค ํ•˜๋‚˜๋ฟ์ธ ์˜ˆ์ˆ˜ ๊ทธ๋ฆฌ์Šค๋„ (*์™ธ์•„๋“ค ์˜ˆ์ˆ˜ ๊ทธ๋ฆฌ์Šค๋„๋‹˜) Domine Deus, Agnus Dei, Filius Patris. (๋„๋ฏธ๋„ค ๋ฐ์šฐ์Šค ์•„๋‰ด์Šค ๋ฐ์ด ํœ ๋ฆฌ์šฐ์Šค ๋น ๋œจ๋ฆฌ์Šค) ํ•˜๋Š๋‹˜ ์–ด๋ฆฐ์–‘ ํ•˜๋Š๋‹˜์˜ ์•„๋“ค ์•„๋ฒ„์ง€์˜ (*ํ•˜๋Š๋‹˜์˜์˜ ์–ด๋ฆฐ ์–‘) Qui tollis peccata mundi, miserere nobis. (๋€Œ ๋˜˜๋ฆฌ์Šค ๋ปฌ๊นŒ๋”ฐ ๋ฌธ๋”” ๋ฏธ์„ธ๋ ˆ๋ ˆ ๋…ธ๋น„์Šค) ์–ด๋Š(๋ถ„) ์น˜์šฐ๋‹ค ์ฃ„ ์„ธ์ƒ์˜ ๋ถˆ์Œํžˆ์—ฌ๊ธฐ์†Œ์„œ ์šฐ๋ฆฌ๋ฅผ (*์„ธ์ƒ์˜ ์ฃ„๋ฅผ ์—†์• ์‹œ๋Š” ์ฃผ๋‹˜ ์ €ํฌ๋ฅผ ๋ถˆ์Œํžˆ ์—ฌ๊ธฐ์†Œ์„œ.) Qui tollis peccata mundi, suscipe deprecationem nostram. (๋€Œ ๋˜˜๋ฆฌ์Šค ๋ปฌ๊นŒ๋”ฐ ๋ฌธ๋”” ์ˆ˜์‰ฌ๋ปฌ ๋ฐ์˜๋ ˆ๊นŒ์”จ์˜ค๋„ด ๋…ธ์Šค๋œจ๋žŒ) ์น˜์šฐ๋‹ค ์ฃ„ ์„ธ์ƒ์˜ ๋ฐ›๋‹ค ๊ฐ„๊ตฌ(๊ฐ„์ฒญ) ์šฐ๋ฆฌ์˜ (*์„ธ์ƒ์˜ ์ฃ„๋ฅผ ์—†์• ์‹œ๋Š” ์ฃผ๋‹˜, ์ €ํฌ์˜ ๊ธฐ๋„๋ฅผ ๋“ค์–ด์ฃผ์†Œ์„œ.) Qui sedes ad dexteram Patris, miserere nobis. (๋€Œ ์„ธ๋ฐ์Šค ์•‹ ๋ฑ์Šค๋–ผ๋žŒ ๋น ๋œจ๋ฆฌ์Šค ๋ฏธ์„ธ๋ ˆ๋ ˆ ๋…ธ๋น„์Šค)์•‰๋‹ค ๊ทผ์ฒ˜ ์˜ค๋ฅธ์†์ชฝ ์•„๋ฒ„์ง€ ๋ถˆ์Œํžˆ์—ฌ๊ธฐ์†Œ์„œ ์šฐ๋ฆฌ๋ฅผ (*์„ฑ๋ถ€ ์˜ค๋ฅธ ํŽธ์— ์•‰์•„ ๊ณ„์‹œ๋Š” ์ฃผ๋‹˜, ์šฐ๋ฆฌ๋ฅผ ๋ถˆ์Œํžˆ ์—ฌ๊ธฐ์†Œ์„œ.) Quoniam tu solus sanctus. Tu solus Dominus. (๊ฟ”๋‹ˆ์•” ๋šœ ์ ๋ฃจ์Šค ์Œ๋šœ์Šค ๋šœ ์ ๋กœ์Šค ๋„๋ฏธ๋ˆ„์Šค)์ด๋Ÿฐ ์—ฐ๊ณ ๋กœ ๋„ˆ๋Š” ํ™€๋กœ ๊ฑฐ๋ฃฉํ•˜์‹œ๋‹ค ์ฃผ๋‹˜์ด์‹œ๋‹ค (*ํ™€๋กœ ๊ฑฐ๋ฃฉํ•˜์‹œ๊ณ  ํ™€๋กœ ์ฃผ๋‹˜์ด์‹œ๊ณ ) Tu solus Altissimus, Jesus Christe. (๋šœ ์ ๋ฃจ์Šค ์•Œ๋ ์”จ๋ฌด์Šค ์˜ˆ์ˆ˜ ํฌ๋ฆฌ์Šค๋–ผ.) ๋„ˆ๋Š” ํ™€๋กœ ๋†’์œผ์‹œ๋‹ค ์˜ˆ์ˆ˜ ๊ทธ๋ฆฌ์Šค๋„ (*์˜ˆ์ˆ˜ ๊ทธ๋ฆฌ์Šค๋„ ํ™€๋กœ ๋†’์œผ์‹œ๋„๋‹ค.) Cum Sancto Spiritu In gloria Dei Patris. (๊ฟˆ ์Œ๋˜ ์Šค์‚๋ฆฌ๋šœ ์ธ ๊ธ€๋กœ๋ฆฌ์•„ ๋ฐ์ด ๋น ๋œจ๋ฆฌ์Šค) ํ•จ๊ป˜ ๊ฑฐ๋ฃฉํ•œ ์˜ ์•ˆ์— ์˜๊ด‘ ํ•˜๋Š๋‹˜ ์•„๋ฒ„์ง€ (*์ฒœ์ฃผ ์„ฑ๋ถ€์˜ ์˜๊ด‘ ์•ˆ์— ์„ฑ๋ น๊ณผ ํ•จ๊ป˜) Amen. ์•„๋ฉ˜. (์ฃผ์˜) * Gloria: '๊ธ€๋กœ๋ฆฌ์•„'๋กœ ๋ฐœ์Œํ•ฉ๋‹ˆ๋‹ค. * Benedicimus: '๋ฒ ๋„ค๋””์น˜๋ฌด์Šค'. 'c'๊ฐ€ a, o, u๋ฅผ ๋งŒ๋‚˜๋ฉด 'ใ„ฒ', e, I, y๋ฅผ ๋งŒ๋‚˜๋ฉด 'ใ…Š' ์†Œ๋ฆฌ๊ฐ€ ๋‚ฉ๋‹ˆ๋‹ค. * Miserere: '๋ฏธ์ œ๋ ˆ๋ ˆ'๊ฐ€ ์•„๋‹ˆ๋ผ '๋ฏธ์„ธ๋ ˆ๋ ˆ'๋กœ ๋ฐœ์Œํ•ฉ๋‹ˆ๋‹ค. 3. Credo (์‹ ์•™ ๊ณ ๋ฐฑ) Credo in unum Deum, Patrem omnipotentem, (๋„๋ ˆ๋„ ์ธ ์šฐ๋ˆ” ๋ฐ์›€ ๋น ๋œจ๋ ˜ ์˜ด๋‹ˆ๋ฝ€๋—€๋—Œ) ๋‚˜๋Š” ๋ฏฟ๋Š”๋‹ค ํ•˜๋‚˜ ํ•˜๋Š๋‹˜ ์•„๋ฒ„์ง€ ์ „๋Šฅํ•œ (*๋‚˜๋Š” ๋ฏฟ๋‚˜์ด๋‹ค, ํ•œ๋ถ„์ด์‹  ์ „๋Šฅ ์ฒœ์ฃผ ์„ฑ๋ถ€) factorem caeli et terrae, visibilium omnium, et invisibilium. (ํ™•๋˜๋ ˜ ์ฒผ๋ฆฌ ์—— ๋–ผ๋ž˜ ๋น„์‹œ๋ฐ€๋ฆฌ์›€ ์˜ด๋‹ˆ์›€ ์—— ์ธ๋น„์‹œ๋นŒ๋ฆฌ์›€) ๋งŒ๋“ค๋‹ค ํ•˜๋Š˜ ๊ณผ ๋•… ๋ณผ์ˆ˜์žˆ๋Š”(ๆœ‰ๅฝขํ•œ) ๋ชจ๋“ ๊ฒƒ ๊ณผ ๋ณผ ์ˆ˜ ์—†๋Š”(็„กๅฝข) (*ํ•˜๋Š˜๊ณผ ๋•…๊ณผ, ์œ ํ˜• ๋ฌดํ˜•ํ•œ ๋งŒ๋ฌผ์˜ ์ฐฝ์กฐ์ฃผ๋ฅผ ๋ฏฟ๋‚˜์ด๋‹ค.) Et in unum Dominum Jesum Christum, Filium Dei unigenitum. (์—— ์ธ ์šฐ๋ˆ” ๋„๋ฏธ๋ˆ” ์˜ˆ์ˆจ ํฌ๋ฆฌ์Šค๋šฌ ํ“”๋ฆฌ์›€ ๋ฐ์ด ์šฐ๋‹ˆ์ œ๋‹ˆ๋šฌ)๊ทธ๋ฆฌ๊ณ  ํ•˜๋‚˜ ์ฃผ๋‹˜ ์˜ˆ์ˆ˜ ๊ทธ๋ฆฌ์Šค๋„๋ฅผ ์•„๋“ค ํ•˜๋Š๋‹˜์˜ ์™ธ์•„๋“ค (*์˜ค์ง ํ•œ ๋ถ„์ด์‹  ์ฃผ ์˜ˆ์ˆ˜ ๊ทธ๋ฆฌ์Šค๋„ ์ฒœ์ฃผ์˜ ์™ธ์•„๋“ค) Et ex Patre natum ante omnia saecula. (์—— ์—‘์Šค ๋น ๋œจ๋ ˆ ๋‚˜๋šฌ ์•ˆ๋–ผ ์˜ด๋‹ˆ์•„ ์„ธ๊ฟ€๋ผ) -์—์„œ ์•„๋ฒ„์ง€ ์ถœ์ƒ ์ „์— ๋ชจ๋“  ์„ธ๊ธฐ(ไธ–็ด€) (*๋ชจ๋“  ์„ธ๋Œ€์— ์•ž์„œ ์„ฑ๋ถ€๊ป˜ ๋‚˜์‹  (์ฒœ์ฃผ์˜ ์™ธ์•„๋“ค)) Deum de Deo, (๋ฐ์›€ ๋ฐ ๋ฐ์˜ค)ํ•˜๋Š๋‹˜ -๋กœ๋ถ€ํ„ฐ ํ•˜๋Š๋‹˜์œผ๋กœ (*์ฒœ์ฃผ๋กœ๋ถ€ํ„ฐ ๋‚˜์‹  ์ฒœ์ฃผ์‹œ์š”,) lumen de lumine, (๋ฃจ๋ฉ˜ ๋ฐ ๋ฃจ๋ฏธ๋„ค) ๋น›์„ -๋กœ๋ถ€ํ„ฐ ๋น›์œผ๋กœ (*๋น›์œผ๋กœ๋ถ€ํ„ฐ ๋‚˜์‹  ๋น›์ด์‹œ์š”) Deum verum de Deo vero. (๋ฐ์›€ ๋ฒ ๋ฃธ ๋ฐ ๋ฐ์˜ค ๋ฒ ๋กœ) ํ•˜๋Š๋‹˜์„ ํ‹€๋ฆผ์—†๋Š” -๋กœ๋ถ€ํ„ฐ ์ฃผ๋‹˜ ์ฐธ์œผ๋กœ (*์ฐธ ์ฒœ์ฃผ๋กœ๋ถ€ํ„ฐ ๋‚˜์‹  ์ฐธ ์ฒœ์ฃผ๋กœ์„œ) Genitum, non factum, consubstantialem Patris: (์ œ๋‹ˆ๋šฌ ๋…ผ ํ™•๋šฌ ๊ผฐ์ˆฉ์Šค๋”ด์”จ์•Œ๋ ˜ ๋น ๋œจ๋ฆฌ์Šค)์ถœ์ƒ ์•„๋‹ˆ ์ œ์ž‘ ๋™์ฒด(ๅŒ้ซ”)์˜ ์•„๋ฒ„์ง€ (*์ฐฝ์กฐ๋˜์ง€ ์•Š๊ณ  ๋‚˜์‹œ์–ด ์„ฑ๋ถ€์™€ ์ผ์ฒด์ด์‹œ๋ฉฐ) per quem omnia facta sunt. (๋ปฌ๋ฅด ๋€€ ์˜ด๋‹ˆ์•„ ํ™•๋”ฐ ์ˆœ-ํŠธ) ํ†ตํ•˜์—ฌ ๋ˆ„๊ตฌ๋ฅผ ๋ชจ๋“  ๊ฒƒ ๋งŒ๋“ค๋‹ค ์ด๋‹ค(์˜์–ด์˜ am) (*๋งŒ๋ฌผ์ด ๋‹ค ์ด๋ถ„์œผ๋กœ ๋ง๋ฏธ์•”์•„ ์ฐฝ์กฐ๋˜์—ˆ์Œ์„ ๋ฏฟ์œผ๋ฉฐ) Qui propter nos homines, (๋€Œ ์˜๋กญ๋–ผ๋ฅด ๋…ธ์Šค ํ˜ธ๋ฏธ๋„ค์Šค) ๋•Œ๋ฌธ์— ์šฐ๋ฆฌ ์ธ๊ฐ„์„ (*์šฐ๋ฆฌ ์ธ๊ฐ„์„ ์œ„ํ•˜์—ฌ) et propter nostram salutem descendit de caelis. (์—— ์˜๋กญ๋–ผ๋ฅด ๋…ธ์ŠคํŠธ๋žŒ ์‚ด๋ฃจ๋—Œ ๋ฐ์‰”๋”› ๋ฐ ์ฒผ๋ฆฌ์Šค) ๋•Œ๋ฌธ์— ์šฐ๋ฆฌ์˜ ๊ตฌ์›์„ ๋‚ด๋ ค์˜ค๋‹ค ๋ถ€ํ„ฐ ํ•˜๋Š˜ (*์šฐ๋ฆฌ์˜ ๊ตฌ์›์„ ์œ„ํ•˜์—ฌ ํ•˜๋Š˜์—์„œ ๋‚ด๋ ค์˜ค์‹œ์–ด) Et incarnatus est de Spiritu Sancto ex Maria Virgine: (์—— ์ธ๊นŒ๋ฅด๋‚˜๋šœ์Šค ์—์ŠคํŠธ ๋ฐ ์Šคํ”ผ๋ฆฌ๋šœ ์Œ๋˜ ์—‘์Šค ๋งˆ๋ฆฌ์•„ ๋น„๋ฅด์ง€๋„ค) ๊ฐ•์ƒํ•œ ์ด๋‹ค(is) ์˜ ๊ฑฐ๋ฃฉํ•œ ์—์„œ ๋งˆ๋ฆฌ์•„ ๋™์ •๋…€์˜ (*์„ฑ๋ น์œผ๋กœ ๋™์ •๋…€ ๋งˆ๋ฆฌ์•„๊ป˜ ํ˜ˆ์œก์„ ์ทจํ•˜์‹œ๊ณ ) Et homo factus est. (์—— ํ˜ธ๋ชจ ํ™•๋šœ์Šค ์—์ŠคํŠธ) ์‚ฌ๋žŒ ๋งŒ๋“ค๋‹ค ์ด๋‹ค(is) (*์‚ฌ๋žŒ์ด ๋˜์‹ฌ์„ ๋ฏฟ์œผ๋ฉฐ) Crucifixus etiam pro nobis: (๋„๋ฃจ์น˜ํš์‘ค์Šค ์—์”จ์•” ์˜๋กœ ๋…ธ๋น„์Šค)์‹ญ์ž๊ฐ€ํ˜•๋ฒŒ ๊ทธ๋ž˜๋„ ์œ„ํ•˜์—ฌ ์šฐ๋ฆฌ๋ฅผ (*์šฐ๋ฆฌ๋ฅผ ์œ„ํ•˜์—ฌ ์‹ญ์ž๊ฐ€์— ๋ชป๋ฐ•ํžˆ์‹œ๊ณ ) sub Pontio Pilato passus, et sepultus est. (์ˆฉ ํฐ์ฐŒ์˜ค ํ•„๋ผ๋˜ ๋น ์ˆ˜์Šค ์—— ์„ธ๋ฟ”๋šœ์Šค ์—์ŠคํŠธ) ๋ฐ‘์— ๋ณธ์‹œ์˜ค ๋นŒ๋ผ๋„ ์ˆ˜๋‚œ ๋งค์žฅ(๋ฌปํž˜) (*๋ณธ์‹œ์˜ค ๋นŒ๋ผ๋„ ์น˜ํ•˜์—์„œ ๊ณ ๋‚œ์„ ๋ฐ›์œผ์‹œ๊ณ , ๋ฌปํžˆ์‹ฌ์„ ๋ฏฟ์œผ๋ฉฐ) Et resurrexit tertia die, secundum Scripturas. (์—— ๋ ˆ์ˆ˜๋ ‰์”ฌ ๋–ผ๋ฅด์”จ์•„ ๋””์— ์„ธ๊พผ๋‘  ์Šคํฌ๋ฆฝ๋šœ๋ผ์Šค) ๋ถ€ํ™œ ์‚ผ ๋‚  -๋Œ€๋กœ ์„ฑ์„œ (*์„ฑ๊ฒฝ ๋ง์”€๋Œ€๋กœ ์‚ฌํ— ๋‚ ์— ๋ถ€ํ™œํ•˜์‹œ๊ณ ) Et ascendit in caelum : sedet ad dexteram Patris. (์—— ์•„์‰”๋”› ์ธ ์ฒผ๋ฃธ ์„ธ๋Ž‰ ์•‹ ๋ฑ์Šค๋–ผ๋žŒ ๋น ๋œจ๋ฆฌ์Šค) ์Šน์ฒœํ•˜๋‹ค ํ•˜๋Š˜(์ฒœ์ƒ) ์•‰๋‹ค ์˜ค๋ฅธ์†์ชฝ ์•„๋ฒ„์ง€ (*ํ•˜๋Š˜์— ์˜ฌ๋ผ ์„ฑ๋ถ€ ์˜ค๋ฅธ ํŽธ์— ์•‰์•„ ๊ณ„์‹œ๋ฉฐ) Et iterum venturus est cum gloria, judicare vivos et mortuos (์—— ์ด๋–ผ๋ฃธ ๋ฒค๋šœ๋ฃจ์Šค ์—์ŠคํŠธ ๊ฟˆ ๊ธ€๋กœ๋ฆฌ์•„ ์œ ๋””๊นŒ๋ ˆ ๋น„๋ณด์Šค ์—— ๋ชจ๋ฅด๋šœ์˜ค์Šค)๋‹ค์‹œ ์˜ค๋‹ค ํ•จ๊ป˜ ์˜๊ด‘ ์žฌํŒ ์ƒ๋ช…์žˆ๋Š” ์ฃฝ์€ (*์‚ฐ ์ด์™€ ์ฃฝ์€ ์ด๋ฅผ ์‹ฌํŒํ•˜๋Ÿฌ ์˜๊ด‘ ์†์— ๋‹ค์‹œ ์˜ค์‹œ๋ฆฌ๋ผ ๋ฏฟ๋‚˜๋‹ˆ) cujus regni non erit finis. (๊พธ์œ ์Šค ๋ ˆ๋‹ˆ ๋…ผ ์—๋ฆณ ํœ˜๋‹ˆ์Šค)๊ทธ์˜ ๋‚˜๋ผ ์•„๋‹ˆ๋‹ค ์ด๋‹ค ๋๋‚˜๋‹ค (๋๋‚˜์ง€ ์•Š์œผ๋ฆฌ๋ผ) (*๊ทธ์˜ ๋‚˜๋ผ๋Š” ๋์ด ์—†์œผ๋ฆฌ์ด๋‹ค.) Et in Spiritum Sanctum, Dominum, et vivificantem (์—— ์ธ ์Šค์‚๋ฆฌ๋šฌ ์Œ๋šฌ ๋„๋ฏธ๋ˆ” ์—— ๋น„๋น„ํœ˜๊น๋—Œ) ๊ฑฐ๋ฃฉํ•œ ์˜ ์ฃผ๋‹˜์„ ์ƒ๋ช…์„ ์คŒ (*์ฃผ๋‹˜์ด์‹œ๋ฉฐ ์ƒ๋ช…์„ ์ฃผ์‹œ๋Š” ์„ฑ๋ น์„ ๋ฏฟ๋‚˜๋‹ˆ) qui ex Patre Filioque procedit. (๋€Œ ์—‘์Šค ๋น ๋œจ๋ ˆ ํœ ๋ฆฌ์˜ค๊ฟฐ ์˜๋กœ์ฒด๋”›)์—๊ฒŒ์„œ ์•„๋ฒ„์ง€ ์•„๋“ค ๋ฐ ๋‚˜์•„๊ฐ€๋‹ค (*(์„ฑ๋ น์€) ์„ฑ๋ถ€์™€ ์„ฑ์ž์—๊ฒŒ์„œ ์ข‡์•„ ๋‚˜์‹œ๋ฉฐ) Qui cum Patre et Filio simul adoratur, et conglorificatur (๋€Œ ๊ฟˆ ๋น ๋šœ๋ ˆ ์—— ํœ˜๋ฆฌ์˜ค ์”จ๋ฌผ ์•„๋„๋ผ๋šœ๋ฅด ์—— ๊ฝ๊ธ€๋กœ๋ฆฌํœ˜๊นŒ๋šœ๋ฅด) ํ•จ๊ป˜ ์•„๋ฒ„์ง€ ์•„๋“ค ๋™์‹œ์— ์ˆญ๋ฐฐํ•˜๋‹ค ๊ฐ™์ด ์ฐฌ์–‘ํ•˜๋‹ค (*์„ฑ๋ถ€์™€ ์„ฑ์ž์™€ ๋”๋ถˆ์–ด ๊ฐ™์€ ํ ์ˆญ๊ณผ ์ฐฌ์–‘์„ ๋ฐ›์œผ์‹œ๋ฉฐ) qui locutus est per Prophetas. (๋€Œ ๋กœ๊พธ๋šœ์Šค ์—์ŠคํŠธ ๋ปฌ๋ฅด ์˜๋กœํŽ˜๋”ฐ์Šค) ๋งํ•œ ์ด๋‹ค ํ†ตํ•˜์—ฌ ์˜ˆ์–ธ์ž๋“ค (*์˜ˆ์–ธ์ž๋“ค์„ ํ†ตํ•˜์—ฌ ๋ง์”€ํ•˜์…จ๋‚˜์ด๋‹ค.) Et unam sanctam catholicam et apostolicam Ecclesiam. (์—— ์šฐ๋‚จ ์Œ๋•€ ์นดํ†จ๋ฆญ๊นœ ์—— ์•„๋ฝ€์Šคํ†จ๋ฆฌ๊นœ ์—๋Œ๋ ˆ์‹œ์•”) ํ•˜๋‚˜ ๊ฑฐ๋ฃฉํ•œ ๊ณต๋ฒˆ๋œ ์‚ฌ๋„๋กœ๋ถ€ํ„ฐ ๊ตํšŒ (*ํ•˜๋‚˜์ด๊ณ , ๊ฑฐ๋ฃฉํ•˜๊ณ , ์‚ฌ๋„๋กœ๋ถ€ํ„ฐ์ด์–ด์˜ค๋Š” ๊ตํšŒ์™€,) Confiteor unum baptisma in remissionem peccatorum. (๊ผฐํœ˜๋–ผ์˜ค๋ฅด ์šฐ๋ˆ” ๋ฐฅ๋ ์Šค๋งˆ ์ธ ๋ ˆ๋ฏธ์”จ์˜ค๋„ด ๋ปฌ๊นŒ๋˜๋ฃธ) ๊ณ ๋ฐฑํ•˜๋‹ค ํ•˜๋‚˜ ์„ฑ์„ธ(์„ธ๋ก€) ์‚ฌํ•จ(์šฉ์„œํ•จ) ์ฃ„ (*์ฃ„๋ฅผ ์‚ฌํ•˜๋Š” ํ•˜๋‚˜์˜ ์„ฑ์„ธ๋ฅผ ๋ฏฟ์œผ๋ฉฐ) Et exspecto resurrectionem mortuorum. Et vitam venturi saeculi. (์—— ์—‘์Šค๋ผ๋˜ ๋ ‰์ˆ˜๋ ‰์”จ์˜ค๋„ด ๋ชจ๋ฅด๋šœ์˜ค๋ฃธ ์—— ๋น„๋•€ ๋ฒค๋šœ๋ฆฌ ์Ž„๊ฟ€๋ฆฌ) ๊ธฐ๋‹ค๋ฆฌ๋‹ค ๋ถ€ํ™œ์„ ์ฃฝ์€์ž์˜ ์ƒ๋ช…์„ ์˜ฌ(์˜ค๋‹ค) ์„ธ์ƒ (*์ฃฝ์€์ด๋“ค์˜ ๋ถ€ํ™œ๊ณผ ํ›„์„ธ์˜ ์˜์ƒ์„ ๊ธฐ๋‹ค๋ฆฌ๋‚˜์ด๋‹ค.) Amen. ์•„๋ฉ˜. 4-1. Sanctus(๊ฑฐ๋ฃฉํ•˜์‹œ๋‹ค) ์ฒœ์‚ฌ ์„ธ๋ผํ•Œ์˜ ์ฐฌ๊ฐ€(์ด์‚ฌ์•ผ6,3)์™€ ์˜ˆ์ˆ˜๊ป˜์„œ ์˜ˆ๋ฃจ์‚ด๋ ˜์— ์ž…์„ฑํ•˜์‹ค ๋•Œ ํ™˜์˜ํ•˜๋˜ ๋ฐฑ์„ฑ๋“ค์˜ ์ฐฌ๊ฐ€(๋งˆํƒœ์˜ค21,9)๋ฅผ ํ•ฉํ•œ ๊ฒƒ์ž…๋‹ˆ๋‹ค. Sanctus, Sanctus, Sanctus Dominus Deus Sabaoth. (์Œ๋šœ์Šค ๋„๋ฏธ๋ˆ„์Šค ๋ฐ์šฐ์Šค ์‚ฌ๋ฐ”์˜ค) ๊ฑฐ๋ฃฉํ•œ ์ฃผ๋‹˜ ํ•˜๋Š๋‹˜ ์ฒœ์ƒ๊ตฐ๋Œ€ (*๊ฑฐ๋ฃฉํ•˜์‹œ๋‹ค ์˜จ ๋ˆ„๋ฆฌ์˜ ์ฃผ ์ฒœ์ฃผ) Pleni sunt caeli et terra gloria tua. (์ ๋ ˆ๋‹ˆ ์ˆœํŠธ ์ฒผ๋ฆฌ ์—— ๋–ผ๋ผ ๊ธ€๋กœ๋ฆฌ์•„ ๋šœ์•„) ๊ฐ€๋“ํžˆ ์ด๋‹ค ํ•˜๋Š˜ ๊ณผ ๋•… ์˜๊ด‘ ๋„ˆ (*ํ•˜๋Š˜๊ณผ ๋•…์— ๊ฐ€๋“ํ•œ ๊ทธ ์˜๊ด‘) Hosanna in excelsis. (ํ˜ธ์‚ฐ๋‚˜ ์ธ ์—‘์ฒผ์‹œ์Šค) ํ˜ธ์‚ฐ๋‚˜ -์— ๋†’์€๊ณณ (*๋†’์€ ๋ฐ์„œ ํ˜ธ์‚ฐ๋‚˜) 4-2. Benedictus Sanctus ์™€ Benedictus๋Š” ์›๋ž˜ ์—ฐ์† ๋˜๋Š” ๋‘ ๊ณก์ž…๋‹ˆ๋‹ค. ๊ทธ๋ ‡์ง€๋งŒ ๋Š˜ ์—ฐ์†์œผ๋กœ ๋‚˜์˜ค๊ธฐ์— ํ•œ๊ตญ์—์„œ๋Š” ํ•œ๊ณก์ฒ˜๋Ÿผ ์ž‘๊ณกํ•˜๊ณค ํ•ฉ๋‹ˆ๋‹ค. Benedictus qui venit in nomine Domini. (๋ฒ ๋„ค๋”•๋šœ์Šค ๋€Œ ๋ฒ ๋‹› ์ธ ๋…ธ๋ฏธ๋„ค ๋„๋ฏธ๋‹ˆ) ์ฐฌ๋ฏธ๋ฐ›์œผ์†Œ์„œ ์–ด๋Š ์˜ค๋‹ค ์ด๋ฆ„ ์ฃผ๋‹˜ (*์ฃผ์˜ ์ด๋ฆ„์œผ๋กœ ์˜ค์‹œ๋Š” ์ด์—ฌ ์ฐฌ๋ฏธ ๋ฐ›์œผ์†Œ์„œ.) Hosanna in exelsis. (ํ˜ธ์‚ฐ๋‚˜ ์ธ ์—‘์ฒผ์‹œ์Šค) (*๋†’์€ ๋ฐ์„œ ํ˜ธ์‚ฐ๋‚˜.) 5. Agnus Dei( ์ฒœ์ฃผ์˜ ์–ด๋ฆฐ์–‘) ์˜›๋‚  ์ œ์‚ฌ๋ฅผ ์ง€๋‚ผ ๋•Œ ์–ด๋ฆฐ ์–‘์„ ์žก์•„ ์†์ฃ„์˜ ์ œ์‚ฌ๋ฅผ ์ง€๋ƒˆ๋Š”๋ฐ ์–‘์ˆœํ•˜๊ณ  ์ฃ„ ์—†๋Š” ์˜ˆ์ˆ˜๊ป˜์„œ ์ธ๊ฐ„์„ ์œ„ํ•ด ํฌ์ƒ๋˜์…จ๊ธฐ์— ์˜ˆ์ˆ˜๋‹˜์„ ์ฒœ์ฃผ์˜ ์–ด๋ฆฐ ์–‘์ด๋ผ๊ณ  ํ•ฉ๋‹ˆ๋‹ค. Agnus Dei, qui tolis peccata mundi (์•„๋‰ด์Šค ๋ฐ์ด ๋€Œ ๋˜˜๋ฆฌ์Šค ๋ปฌ๊นŒ๋”ฐ ๋ฌธ๋””) ์–ด๋ฆฐ์–‘ ํ•˜๋Š๋‹˜์˜ ์น˜์šฐ๋‹ค ์ฃ„ ์„ธ์ƒ์˜ (*ํ•˜๋Š๋‹˜์˜ ์–ด๋ฆฐ์–‘, ์„ธ์ƒ์˜ ์ฃ„๋ฅผ ์—†์• ์‹œ๋Š” ์ฃผ๋‹˜) miserere nobis.(๋ฏธ์„ธ๋ ˆ๋ ˆ ๋…ธ๋น„์Šค) ๋ถˆ์Œํžˆ ์—ฌ๊ธฐ๋‹ค ์šฐ๋ฆฌ๋ฅผ (*์ €ํฌ๋ฅผ ๋ถˆ์Œํžˆ ์—ฌ๊ธฐ์†Œ์„œ.) (๋ฐ˜๋ณต) dona nobis pacem. (๋„๋‚˜ ๋…ธ๋น„์Šค ๋น ์ณ„) ์คŒ ์šฐ๋ฆฌ์—๊ฒŒ ํ‰ํ™”๋ฅผ (*์ €ํฌ์—๊ฒŒ ํ‰ํ™”๋ฅผ ์ฃผ์†Œ์„œ.)

Kyrie (I) Christe Kyrie (II) Gloria Credo Crucifixus Et resurrexit Credo in spiritum sanctum (soprano I) Credo in spiritum sanctum (soprano II) Sanctus Benedictus (soprano I) Benedictus (soprano II) Agnus Dei

Credo. creed (part 2) Agnus Dei. Lamb of God (part 3) Gloria. glory (part 4) sanctus. holy (part 5) Study with Quizlet and memorize flashcards containing terms like Kyrie, Credo, Agnus Dei and more.
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